chris stein photography

There just seems to be more and more interest in that period. Unlike many of his 1970s NYC punk contemporaries, Stein doesn’t grumpily mythologize that era, but he recognizes its appeal and his own good luck in finding himself smack dab in it. PKM: Aside from just having this kind of beat up, open city to work with, did you have any photographic inspirations early on? How about The Von Lmo story PKM? Chris Stein: Oh yeah, it was all kind of a showcase for them in the very early days, it’s not like there was a big audience for them, so they did whatever. But you know, you miss being able to walk around and see the familiar stuff. PKM: So like anyone in the early 1970s punk scene, there was that moment when you decided, “I’m cutting my hair.” Do you have a memory of that decision? Chris started taking photographs in 1968. I can’t imagine those guys doing fucking blow in the offices and shit like that. Chris Stein: Yeah, well a lot of crazy shit definitely went down for sure, but it wasn’t ongoing all the time. I always say, I wish Lester would’ve lived long enough to see Brittany Spears – his fucking head would’ve exploded. And it was downstairs. PKM: There are a lot of shots of people and faces in your book. It’s exciting here. Chris Stein: Well the writing was triggered by the photos, so that was actually kind of easy for me. They were all accountants and shit. Chris Stein: Back then, it was a little more of an anomaly to have a camera stuck in your face. Chris was always taking pictures … This repository is populated with tens of thousands of assets and should be your first stop for asset selection. It’s a shame there’s not more stuff about it out there. PKM: You mentioned you had a police scanner back when you started taking pictures. What did you want to focus on this time? You still see Chris Stein sometimes in a corner booth, or at some gallery or film screening, though his demeanor remains chill and reflectively humorous. What were the best neighborhoods for that? PKM: I’ve always wondered about that great photo of Blondie on the cover of your first greatest hits, The Best of Blondie? PKM: Yeah, I thought by the end of the season, they were going a little more into the murder plot point, and they did that alright, and I thought, well maybe if they just turn it into a crime show instead of trying to show the music biz of the time. The Naked City has yielded many fine fine musical jewels but few glister so brightly as Von Lmo, Red Transistor etc. Zu viele Bilder ausgewählt. {{familyColorButtonText(}}, {{carousel.total_number_of_results}} Ergebnisse anzeigen. PKM: So, once CBGB and others got more active, it just kind of faded? (Point of View: A Conversation with Blondie’s Chris Stein and Debbie Harry ) And Debbie and I always talk about doing a speaking tour together. Versuchen Sie, Ihre Suche mit diesen Tipps zu erweitern: Den Suchbegriff auf Rechtschreib- oder Tippfehler überprüfen. ‘LIKE PUNK NEVER HAPPENED’: THE LEGACY OF THE NEW ROMANTICS AND ‘80S U.K. PKM: Where was that first Stilettos show? Beyond his era-defining … But we kind of liked that when we lived there, sneaking up in there. He lives in Queens. I think it was on top of the Gramercy Park Hotel. Perfekte Chris Stein Stock-Fotos und -Bilder sowie aktuelle Editorial-Aufnahmen von Getty Images. But anyway, everyone knew Eric, and we wound up going to the first Stilettos gig, which was Eric’s girlfriend, who he had a kid with, and Debbie, and this other girl Rosanne. Click here to request Getty Images Premium Access through IBM Creative Design Services. All those guys in the music business world back then were just straight suits. When, more. BETTYE LAVETTE HAS HER OWN HELL TO RAISE! I’m pretty positive I saw their first show at CBGB.

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